Welcome Guest Blogger Ricë Freeman-Zachery, writer and fabric artist and from the Blog “Notes from the Voodoo Café”.

I have the best job in the world: I get to sit around in my pajamas all day and call up artists and ask them nosy questions and then write about them. And then, in my spare time, I get to make fabric art. Every now and then–about once a year or so–I get to write a book–my newest one is “Living the Creative Life: Ideas and Inspiration from Working Artists”, and you can read more about it here. Art, writing–all without having to leave the house! What more could anyone want?

The Joys of Hand Stitching

I don’t know about y’all, but I have a ton of stuff I don’t use. Like, just for instance, four sewing machines, including the olive green Elna my mother used to make all my clothes when I was a kid. I have my trusty all-metal Kenmore from 1977. I have a heavy-duty Singer. And I have my shiny new Janome. Oh, I’m not saying I never use them: I use the Kenmore for doing all those things I would never dream of doing by hand, like mending seams. But that’s not what I think of when I think of “sewing.”

When I think of sewing, I remember learning to sew under the ironing board in my mother’s sewing room, playing with the scraps she handed down to me from her sewing table. My efforts weren’t pretty, but I learned to love the act of joining two pieces of fabric with a needle and thread.

I have never had any discernible domestic talents. None. Ask my husband. Although I took Home Ec in 7^th grade and made an apron and, at the end of the semester, a little dress, that was as far as garment construction went for me. I didn’t make any of my clothes in high school-my mother did that. What I did do, though, was to stitch on the clothes I had-lines of embroidery, stitched names, butterflies. Although I was too young to get the full benefit of growing up in the 60′s, I discovered Native Funk and Flash when it first came out in 1974, and, for me, that changed everything. The idea of altering your clothes to make them into personal talismanic garments seemed to be about the coolest thing anyone could do. I started then, with a bunch of work shirts and jeans, and I’ve never stopped.

What is it about hand stitching, about pulling thread through fabric? It’s not about fancy stitches-I know only three embroidery stitches:  I know the running stitch, which is like saying I know how to breathe; the split stitch, which is so sturdy it will still be holding on when the fabric around it has worn to threads; and the French knot, which I learned just to show off. For me, it’s not about doing rows of fancy little stitches. For me, it’s about altering something, making something new, with nothing but my hands and a rainbow of floss.

And here I’ll admit: it doesn’t even have to be embroidery floss. When I did make clothes from scratch, my favorite part was always the hem, and it was always a blind hem, done by hand. There’s something about creating a perfect, invisible hem that just made me happy. Yeah, I know that sounds pathetic, but what can I say? I love to stitch. I love to sew, and I love to mend, and I love to decorate-if I can do it by hand, I’m happy. One of my favorite things in all the world is to sit on the front porch and stitch. The only thing that keeps me from being my great-great grandmother is that I’m stitching words and appliquéing skulls rather than creating little daisies on the edge of a pinafore. It could be scary, but there’s something comforting about imagining myself flowing into old age with my needles and a bag of bright thread.

It’s calming. It’s meditative. It’s downright Zen.

And it’s the height of being hip: taking scraps of fabric, or clothes faded by years of wear, and keeping them alive  by working on them with your hands-that’s about as green as you’re going to get. Zen and hip? What more could you want?

Click here, for more posts from Ricë.

Returning Guest Blogger, Gillian from the blog “Dried Figs and Wooden Spools”.

Spring is in the air, the flowers are blooming around town and I’m in the mood for some embroidery!

I’m not, as a rule, an embroiderer. I lack the patience that it takes to finish a project of any size and have a pile of half done cross stitch/embroidery projects in my sewing box to prove it. But when I received the book Sublime Stitching as a gift a few years ago, it opened my eyes to a  new world of embroidery. The book, and its successor The Sublime Stitching Craft Pad, is packed with cute, slightly funky patterns for projects that you can use to embellish just about anything. And for me, there’s nothing like stitching a little something special to a store bought outfit to add some “awwww…” to my kids’ wardrobes. So far we’ve done cowboy patches on worn through knees, Scottie dogs on a bland dress or two, Siamese kitties to turn a little boy coat into a little girl one and a rocket ship tie that was the hit of the school concert. The tie was, in fact, such a bit hit that I’ve been commissioned (and paid in kisses) to make another, this one with dinosaurs.

Kid’s ties are hard to find and when you do, they are usually plastered with cartoon characters in garish colors. But ties are also remarkably easy to make. No, really they are! I used to make them for Christmas gifts for my teachers when I was in elementary school. I wonder if Mr. Koep still has the jungle with glow in the dark eyes tie I made him all those years ago… Kid’s ties, are even easier, since they require less fabric and don’t need to be perfectly smooth and tailored.

For a pattern, I used one of my husband ties that I had put on my son, adjusting it so that the narrow end was the right length and the wider end was too long. With a pin I marked the spot on the front of the tie where I wanted the length. After I’d removed the tie and ironed it I set it out on the fabric I planned to use and cut a rough pattern using the length and width as a guide. Keeping in mind my seam allowances I embroidered the dinosaur of choice. The rocket ship tie was fully line which made it a little thick so this time I only lined the ends before stitching the seams closed and giving it a whirl. The result was a perfectly proportioned tie that my son is excited to wear anywhere he gets a chance, which, given the fact that he would stay in his pajamas all day if allowed, is saying something.

Have you embellished a store bought piece of clothing with embroidery? What projects do you go stitch crazy for?

To read more of Gillian’s posts, click here.

Welcome Guest Blogger, Jenny Hart, founder of Sublime Stitching.

Vintage Lamp Hoodie

So, by now you either have the new patterns in your stitchy little hands, or are anxiously awaiting them. Wanna project idea? How about this one using the Vintage Lamps and Glow-in-the-Dark thread? What a bright idea…

x – x – x – x – x

Who: You!

What: Hoodie w/ Vintage Lamps and Glow-in-the-dark (GITD) thread

When: Right now! Or, when you have time. Give yourself 1-2 hours

Easiness Level: Beginner to Intermediate

You’ll need:

 * Vintage Lamps patterns

* GITD Thread (optional, but nice touch!)

*Floss in Pastel Palette (or your choice)

* Stabilizer (optional)

*Basic embroidery supplies of needle, hoop and scissors

* White hoodie, light-colored cotton jacket
(or a shirt you like)

Vintage Lamp Pattern

A transfer tip: The best results for getting a pattern on knit fabrics is with an iron-on transfer or transfer pen. Carbon transfer paper, while great for smooth fabrics like cotton weave, just doesn’t take too well to spongy, soft surfaces. Dangit!

Oh and: I worked with a hoop on this project. When working with stretchy fabrics on a hoop, be careful not to overdo (overstretch) it. if you really stretch the crud out of your fabric, your work will scrunch up in a way that will make you go boo hoo when you take it off the hoop. There will be no boo’ing and hoo’ing. 

INSTRUCTIONS
x – x – x – x – x – x

Instead of going over the instructions for getting a transfer pattern on fabric (those instructions come in each pack) or the basics of embroidering, I’m going to show you how to do whipping for the glow-in-the-dark accent. Let’s whip it! We’ll whip it good! (You had to see that one coming.)

Embroider the design completely. I worked everything in back stitch, which is so easy, but looks so, so…embroidered. After you’ve finished the embroidery, re-load your needle with GITD thread. I chose to match the color of the GITD thread to the color of each lamp for maximum stealthiness.

Whip It! Come up from behind your fabric just like you would to begin embroidering. Then, pass your needle and thread under and over your stitches, always keeping your needle to the topside of the fabric (not piercing the fabric). Your stitches will wrap around the worked embroidery like so: