Think Crafts Blog - Craft Ideas and Projects - CreateForLess

Returning Guest Blogger, Diane Gilleland from the Blog and Podcast “CraftyPod“.

How to Make a Wallet Shrine

Our Church of Craft project this month was Shrine Wallets. These are based on Mexican Shrine Wallets, which are small, tri-fold pocket shrines. Unfolded, they reveal pictures of saints, a miniature rosary, and a printed prayer folded up into a pocket. There’s a photo of one here. My version is a more generalized pocket shrine, which can commemorate anything you like. I love the idea of carrying one around in your bag as a reminder of your favorite people, places, or things.

It all begins with two pieces of felt, cut to the same size. Mine are 3.5″ tall by 5.5″ long, but you can really make them any size you like.

You’ll want to mark the center of each piece. I do this by folding each one in half, and placing a couple of pins along the fold. These pins help keep you from placing any embellishments over the fold - because that could become a problem later on.

. . . Did someone say “embellishments?” Now’s the time for those. It’s so much easier to decorate your felt pieces before you assemble them into a shrine. So you can really go to town here - embroidery is great, ric rac is great, beads and sequins and felt applique. Here are some samples I have in progress:

(Learn to make these ric rac flowers at Primrose Design. I love them!) 

You can add photographs, too! I glued this one down to the camel-colored piece with good old Aleene’s Tacky Glue, and then glued the light-blue frame over it. (I did the couching on the light blue before I glued it down.) Those are my great-grandparents - aren’t they cute?

And you can add stuff like little pockets, and tags, and charms. You’ll quickly become addicted to this part.

Once you’ve torn yourself away from embellishing, it’s time to assemble your shrine. Put the two pieces together, right sides facing out. Join them along three sides with a whip stitch. But leave the top open.

Now, use those pins you placed to mark the center as a guide, and run a little running stitch down the center to help you fold your shrine. You now have two openings in the top of your shrine. You’ll want to insert a piece of cardstock into each one, to give your shrine some body. (The cardstock can be any old thing - an old greeting card, some junk mail, etc.) 

Just cut the cardstock so that it fits inside the two panels of your shrine. The pieces should be short enough to leave you some room to stitch up the top. If you want to be extra shriney, you could also insert something secret into the inside of your shrine - like a picture, or a handwritten note. That would be really cool.

Okay, so now you can stitch the top closed. And if you like, you can add some ribbon ties or a button-and-loop to hold your shrine closed. 

If you want to make a three-fold shrine, you can start with felt pieces that are a little longer - mine are 6.5″ long by 3.5″ tall. And the process is pretty much the same.

The only crucial thing to remember with a three-panel shrine is that the panel that will fold to the inside of the shrine should be a little narrower than the other two panels. (In other words, all three panels shouldn’t be the same width. If you made it that way, it wouldn’t fold up nicely.)

When you’re looking at the inside part of your shrine, this narrower panel will be the one on the right-hand side.

When you’re looking at the outside part of your shrine, this narrower panel will be the one on the left-hand side.

To read more of Diane’s posts, visit her website “CraftyPod“.

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Welcome Guest Blogger and Designer, Phyllis Dobbs.

Phyllis Dobbs began her creative career 20 years ago designing in the needlework and crafts industry. Phyllis’ designs reflect a sense of whimsy and she is driven by her passion for color. Phyllis has created over 1500 designs that have been published in books for cross-stitch and quilt designs.

Phyllis' new fabric collection - It's a Dog's Life

For the past two or three years, a big trend has been “retro” with various decades being a hot trend influence.  When I see remembrances of these decades in fashion or home décor, I also recall the crafts that I was doing when I was wearing the original versions of these fashions. (Yes, even bell-bottoms!)

I started crafting at an early age and learned cross stitch, sewing and quilting from my mother and aunt.  Although needlework has remained my “craft specialty” and the medium that I have devoted most of my designing career to, I have tried and loved them all. 

Because of my great love of crafts, I started designing.  My career started in the 80’s during the height of another craft dynasty - counted cross stitch.  At that time, there was a cross stitch shop on nearly every corner.  I jumped in with both feet and self published cross stitch books and leaflets.  I was successful and enjoyed my new career. 

When cross stitch began losing its popularity, I also began designing quilt patterns and started a freelance design career. Giving up self-publishing, I designed for other publishers for magazines and books.  I continued trying new craft mediums and created designs using these mediums.  I designed with beads, creating jewelry, tassels and adding them to cross stitch and quilting. I loved ribbon embroidery and authored several ribbon embroidery books.  In hard crafts, I loved to design mosaics. 

For the past 8 years, I have been painting.  I have translated my painting into product design through art licensing.  With my love of quilting and fabrics, I have been thrilled to have my art licensed for fabrics with Quilting Treasures.  My newest fabric collection, It’s a Dog’s Life is debuting next week at the International Quilt Market.  Throughout all my years of crafting, my style has evolved into whimsy combined with brilliant color.  My career as a designer started with seeds - all those seeds of being taught by my mother and aunt, and then from all those various crafts I loved over the years.  If you love something, it can take you on a path you never anticipated. 

It's a Dog's Life Fabric Collection

Happy crafting,

Phyllis Dobbs

Click here to read more of Phyllis’ posts.

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Welcome Guest Blogger, Jenny Hart, founder of Sublime Stitching.

Vintage Lamp Hoodie

So, by now you either have the new patterns in your stitchy little hands, or are anxiously awaiting them. Wanna project idea? How about this one using the Vintage Lamps and Glow-in-the-Dark thread? What a bright idea…

x - x - x - x - x

Who: You!

What: Hoodie w/ Vintage Lamps and Glow-in-the-dark (GITD) thread

When: Right now! Or, when you have time. Give yourself 1-2 hours

Easiness Level: Beginner to Intermediate

You’ll need:

 * Vintage Lamps patterns

* GITD Thread (optional, but nice touch!)

*Floss in Pastel Palette (or your choice)

* Stabilizer (optional)

*Basic embroidery supplies of needle, hoop and scissors

* White hoodie, light-colored cotton jacket
(or a shirt you like)

Vintage Lamp Pattern

A transfer tip: The best results for getting a pattern on knit fabrics is with an iron-on transfer or transfer pen. Carbon transfer paper, while great for smooth fabrics like cotton weave, just doesn’t take too well to spongy, soft surfaces. Dangit!

Oh and: I worked with a hoop on this project. When working with stretchy fabrics on a hoop, be careful not to overdo (overstretch) it. if you really stretch the crud out of your fabric, your work will scrunch up in a way that will make you go boo hoo when you take it off the hoop. There will be no boo’ing and hoo’ing. 

INSTRUCTIONS
x - x - x - x - x - x

Instead of going over the instructions for getting a transfer pattern on fabric (those instructions come in each pack) or the basics of embroidering, I’m going to show you how to do whipping for the glow-in-the-dark accent. Let’s whip it! We’ll whip it good! (You had to see that one coming.)

Embroider the design completely. I worked everything in back stitch, which is so easy, but looks so, so…embroidered. After you’ve finished the embroidery, re-load your needle with GITD thread. I chose to match the color of the GITD thread to the color of each lamp for maximum stealthiness.

Whip It! Come up from behind your fabric just like you would to begin embroidering. Then, pass your needle and thread under and over your stitches, always keeping your needle to the topside of the fabric (not piercing the fabric). Your stitches will wrap around the worked embroidery like so:

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Returning Guest Blogger, Gillian from the blog “Dried Figs and Wooden Spools”

My grandmother had a rack of spools over her sewing desk in the spare bedroom of her house when I was growing up. Every summer I would spend a few weeks at her house and every summer she would take me to the fabric store, almost as soon as I arrived, to pick out a pattern and fabric to learn during my visit. I spent hours each summer in the room affectionately known as the waterbed room with it’s green and white butterfly papered walls, it’s wall size shelf of family photos, and my grandmother’s sewing table. When I wasn’t in the kitchen learning how to stew figs for drying or experimenting with pudding and gelatin or out in the back yard trying to work up my courage to attempt my aunts famous “death drops” off the swing set, I was in the sewing room working on increasingly difficult patterns and never fully understanding the valuable skills I was acquiring.

The sewing room was a haven from the Redding, CA heat. The shade from the house next door, the dark walls, perhaps even the waterbed itself made the room cooler than the rest of the house. In the cool quiet I could pin and cut and stitch, or lie on the undulating mattress of the waterbed, or in my tween years, watch Days of our Lives on the tiny black and white Television that was perched on the bedside dresser.

Sometimes in a fit of teenage self-righteousness I would do nothing but spin the spools of thread on their wooded pins or finger the gold stork handles of the delicate sewing scissors that hung from a ribbon on a hook. The wooden spools were always my favorite. It seemed she had hundred of them, but it was probably no more than a dozen, plastic spools were already taking over by then. When one of the wooden spools ran out of thread we made them into dolls or furniture or animals or spool crochet sets. My grandmother’s imagination was endless and she always had something new to make, to teach, to show.

When she moved out of her house after my grandfather died, a pair of wooden spools was among the treasures I took away with me. I have carried them across states and oceans and they now sit in one of the mason jars of thread on my sewing table, a reminder of the lessons of those long hot summer days of my childhood. Of sewing dozens of tiny buttons down the front of a dress and sneaking dried figs out of the freezer in the family room, of my grandmothers dried apple kitchen witch and the thumping of the dough hook on her beloved mixer beating away at her bread.

My Grandmother, who now lives in a second floor apartment and uses the Internet and has a Judi Dench haircut, continues to amaze me, to inspire me. And every time I sit down to sew or slide dinner in the oven, or set out on a new project, I am reminded of those summers, the rows of wooden spools and the cool of the waterbed room, and of my grandmother.

So what crafts have been handed down in your family? And what skills do you plan to pass on to the next generation?

To read more of Gillian’s blog, click  here.

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 Pretty Little Potholders by Lark Books

Potholders are just fun and make a great gift for any occasion.  This book has over 30 projects that range from quick and easy to a little more detailed.  The book includes great instructions for all the sewing techniques used including embroidery, yo-yos, quilting, and beading.  Most projects have a retro look and feel, but with different fabric selection can be changed to meet your personal taste and style.  I enjoyed the pot handle cozy and the yo-yo potholder.  This is a fun book with great illustrations, photographs, and step-by-step instructions. 

I enjoyed combining yo-yos with quilting for this set of potholders.

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