July 28, 2008
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Materials to have on hand…
- Carrageenan: Usually a white powder made from seaweed Irish moss. It’s a powdered gelatin that when mixed with water creates the size.
- Alum: Another white powder that is mixed with water, but this powder is a binder that helps the color stick to the paper.
- Paper: Almost any type of paper can be used. Experiment.
- Color: Usually watercolor or oil paints. Some people also use re-inkers.
- Rakes and Combs: Tools used to patterns in the color. Combs usually have teeth closely spaced while a rake may have one point or widely spaced teeth or nails. You can also use feathers, wood skewers and paint brushes.
Step by Step
- Water and carrageen are mixed (read packaging, this step takes several hours and it is often recommended to allow to settle overnight). This mixture is also referred to as size.
- An alum solution (alum and water) is needed. This solution is sponged onto the paper and paper must dry completely. Alum is what bonds the color to the paper. Make sure your paper is smaller than the tray you will use in Step 3.
- Pour the size into a shallow tray. Make sure the tray or container you select gives you room to work.
- Drop several colors of paint (color) onto the size. The paint should float on the surface of the size. Using a skew, comb, or rake, you can create patterns by running the tool through the colors.
- When happy with the pattern, gently lay the alum treated paper onto the surface of the size. The paper will absorb the paint. Gently lift off paper. Only one sheet of paper can be done at a time.
- Rinse paper in water and hang to dry.
- Wipe off any excess color from size with untreated sheet of paper or paper towel. Repeat Steps 1-6 for additional marbling. At some point the size will no longer give you clean crisp marbling and should be disposed of properly.
Tips
- Use a color wheel to help select colors to use when marbling
- Experiment with different tools/rakes to create new patterns of color.
- Use marbled papers for card making, altered books, book making, and gift-wraps.
- Once dry, store marbled papers (with tissue paper between the sheets) flat and out of direct sunlight.
- Preserve the Carragheen for up to 30 days by placing it in a seal-able container and adding 1/4 teaspoon of chlorine bleach.
- Explore some of the faux marbling techniques in books and on the Internet.
July 28, 2008
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Term applies to art sent through the post rather than displayed or sold through conventional commercial channels, encompassing a variety of media including postcards, books, images made on photocopying machines or with rubber stamps, postage stamps designed by artists, concrete poetry and other art forms generally considered marginal.
The Dictionary of Art
- Mail art is also called correspondence art. Faux postage is also referred to as a Postoid or Cinderella
- Basically, mail art is art that is or has been sent through the postal system. It’s a global movement.
- Postcards and envelopes are decorated with rubberstamps, pen drawings, watercolors, paint, glitter, inks, and other art materials and then mailed.
- Some mail art has the “correspondence” on the envelope or outside rather than having a letter or message on the inside of the envelope. Faux postage is often used as mail art.
- Mail art can be a single stamped image or an intricate scene. Most mail art has a bit of humor interwoven into the scene.
- Calligraphy is a beautiful and eye-catching way to enhance any correspondence art. Calligraphy tipped markers are one of the easiest ways to add this technique to your work.
- Faux postage can be done with rubberstamps, drawings, photocopying, and computer software. It looks like a postage stamp, but has no value and can’t be used to mail your correspondence art!
- To create realistic faux postage, blank sheets are available that are perforated just like real postage stamps. You can also use a spiked seaming tool or a sewing machine with no thread in the needle.
- Rubberstamps are available that stamp a blank postage stamp image and you can use art materials to create faux postage within the blank. Rubber stamps are also available with elements like numbers.
- For examples of mail art or faux postage, just use these terms as key words in any search engine.
- Almost anything can be mailed from soda bottles to shaped boxes, but always check with the post office before mailing a unique item. Be aware that extra postage is often charged for oversized or odd sized items. The extra postage is because the item will have to be hand cancelled rather than run through the machines.
July 28, 2008
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Materials to have on hand…
- Square of white felt and applicator like Velcro square on bottle cork
- Alcohol inks (2-3 colors)
- Glossy cardstock, domino, tile, metal tin, or other non-porous surface
- Krylon Leafing pen*
- You may wish to protect your hands
- You MUST protect and cover your work area.
*PLEASE NOTE: You must use a leafing pen; metallic paint pens DO NOT work for this technique.
Step by Step
- Read all instructions first and understand each step. You need to work quickly and smoothly since leaf pen and alcohol inks will dry quickly.
- Prime leafing pen if new or shake leafing pen if it has already been primed.
- Put a small amount of ink directly on the felt. You don’t need a ton of ink, just enough to cover your surface. Remember you will be using 2-3 colors of ink. Apply all colors of ink to felt. Try to avoid overlapping the inks, but do not worry if inks do overlap, this just means the colors will mix on the felt.
- Take the leafing pen, and make random dots of ink on the glossy cardstock or whatever surface you are using. The smaller the surface the less dots are needed. You don’t want to over-do the metallic ink. For a domino, you need 1-2 dots of ink, for a piece of glossy cardstock (8 ½ x 11) you’ll need 8-10 dots of ink.
- Immediately after applying the leafing ink, dab the felt (with the ink) onto the gold dots. Continue and dab the ink randomly around the surface. Do not RUB, dab! You need to get the ink onto the surface quickly before either the ink or the gold leafing dries. The idea is to get the gold leafing to move in the ink and feather creating the polished stone look. The gold leafing should not be covering the ink in a consistent layer, but should make veins throughout the paper.
- Once everything is dry, polish with tissue paper to bring out the colors.
- Faux Polished Stone makes a great background for rubberstamping or a colorful paper for matting a photo.